One of our most anticipated books of the year, Paul Tremblay’s latest, Dead But Dreaming of Electric Sheep, is all set to publish this coming June 30th through Bloomsbury.
Taking aim at contemporary AI anxieties and the growing influence of technology giants, the book spins a surreal, darkly satirical and terrifying work of speculative fiction about technological overreach and human fragility that feels all too plausible in the not-too-distant future.
The book follows Julia Flang, a twenty-something temp, who is tasked with remotely guiding a man in a vegetative state – whose implanted AI links him to a shifting, nightmarish reality – across the country. As his memories resurface and danger mounts, Julia and her unlikely charge must navigate a surreal, grotesque world while uncovering who he really is and who he must find.
In anticipation of the book’s release, CinemaChords sat down with Tremblay, who reflected on the unsettling inspiration behind the novel’s AI-controlled Weekend at Bernie’s premise, its examination of humanity’s growing deference to technology, and why lived experience, memory and art remain vital antidotes to a future increasingly shaped by artificial intelligence.
